Watch Movies Online: Latest Movies . Arrangements are being made for her marriage. Arundhati is the first female to be born since her great great grandmother and is especially revered in the family. Her grandfather, the head of the family, talks to her with respect as if she were older than him. She receives a misleading phone call in her fiance Rahul's voice asking her to come to the fort of Gadwal, where she faces a horrible revelation. Learning the story from an aged servant maid, Chandramma, Arundhati comes to know that she is a look alike of her great- grandmother Jejjamma. Jejjama is an expert in painting, dancing and martial arts. Her elder sister is married to her cousin Pasupathi. Pasupathi, a womanizer, rapes the women he likes and kills those who object. While Jejjama was still a young girl, he raped and killed her blind dance teacher while a horrified Jejjama watched through the peephole. Jejjama, furious, demands that he be killed but the King tells her that this would ruin her sister's life. Hearing this, Jejjamma's sister commits suicide. The people of Gadwal furiously thrash Pasupathi and tie him to his horse. Though Gadwal celebrates his death, he is saved by Aghoras. T-Series "Music can change the world". T-Series is India's No.1 Music label company, believes in bringing world close together through its music. Amrapali Dubey Biography, Career profile, Husband Name, Personal Details, Hit Movie’s: Amrapali Dubey is one of the talented actresses in Bhojpuri cinema world. Full HD Video Songs Khesari Lal Yadav Bhojpuri Actor & Singer Khesari Lal Yadav is a Bhojpuri singer and actor. He started out his career as a singer and soon started working in the films. Mom (2017) DVDScr Full Movie Watch Online Hindi Full Length Film; Guest iin London (2017) DVDScr Full Movie Watch Online Hindi Full Length Film. Hindi Movie Original,Hindi Movie Songs,Indian Movie Film,Lyrics and Video Song,Romantic Action Comedy,Mp3 Search & Free Song,Download Bollywood,Listen to Youtube. Pasupathi masters the Tantric arts and returns to Gadwal many years later to exact his revenge. He unleashes carnage as he uses his powers to torture innocent people something the Aghoras don't do. He arrives on Jejjama's marriage day and magically starts removing her clothes but Jejjama seduces him and performs a special dance imbued with martial arts to lull Pasupathi. She then cuts off his tongue and pins his hands, allowing a chandalier to fall on his body. She spares him from being killed to prevent him from becoming a 'pretatma'. Pasupathi is buried alive in a tomb and powerful 'yantras' are put on it to prevent him from coming out. Jejjama goes to the Aghories for help. They say she cannot kill Pasupathi now; she must be reborn again. She sacrifices her own life and before she dies, tells her son that she will be reborn as the first daughter in the family. This is the reason that Arundhathi's grandfather always treats her with respect. The queen dies and her relics are fashioned into a dagger, the one weapon that could destroy Pasupathi forever. A worker in a trance unknowingly breaks the tomb and releases the 'pretatma'. Anwar who treats patients through sorcery tells her asks her to fight Pasupathi. Arundhati comes to know that her great- grandmother had prepared a 'weapon' with her own bones and had kept it with the sages. Pasupathi stabs Arundhati and she goes to Anwar's palace after recovering. While they procure the weapon, Anwar falls off a cliff. Arundhati, believing that Anwar is dead, returns to the fort to surrender herself to Pasupathi to prevent the death of her family members. Anwar, who survives the fall, hands the weapon to Arundhati. The weapon has to be soaked in Arundhathi's blood before it can be used. Before Anwar can tell her this, Pasupathi kills him. As a last resort to save herself, Arundhati tries to kill herself with the same weapon. The dagger glows from her blood showing that Jejjamma had come. She kills Pasupathi and the building sets fire and blasts. Then Arundhati is shown walking out of the place as Jejjamma. Akshara and Vivaan deliver embarrassingly over- the- top performances. Story: Laddoo ditches a pregnant Laali, who is then betrothed to Veer. Things turn sour when Veer learns about Laali and Laddoo’s history. Review: The dread sets in pretty quickly. Within the first few minutes of the opening credits, actually. And then it hits you: it’s a two- hour movie, and this, is literally just the beginning. A beginning packed with so much information that it feels like you’re cramming for your board exam. We learn that Laali (Akshara Haasan) is getting married to prince Veer (Gurmeet Choudhary) while being pregnant with Laddoo’s (Vivaan Shah) child. Laddoo is tying the knot at the same venue too. His wife- to- be soon starts boring everyone with moral lectures about “doing the right thing” and confessing to Veer. What is this confession, you ask? Oh, it’s just the highly generic story of how Laali met Laddoo. You’re now put through a meet- cute punctuated by a background score that arm- twists you into feeling something, a few white lies, songs in Kashmir because why not, and a love story sponsored by dollar- shop goodies (red teddy bears included). But hang on, these were the sane parts of the movie. Soon, a very strangely chauvinistic Laddoo asks Laali to not complain about her boss’ sexual advances. Laddoo’s parents disown him for being an imbecile but Laali’s parents take him in, overlooking the fact that he betrayed their pregnant daughter. And then comes Veer, a golf- playing, horse- riding muscleman prince, whose royal priest asks him to only marry a heavily pregnant girl for good luck. Can you feel your palm going to your forehead? Akshara and Vivaan deliver embarrassingly over- the- top performances. Sanjay Mishra plays the same odd character which he routinely does now, and talents like Darshan Jariwala and Saurabh Shukla are reduced to doing goofy physical comedy. The film is structured so that you connect all the dots within half an hour and are then left with a whole lot nothing to look forward to. Laali Ki Shaadi Mein Laaddoo Deewana has to be some kind of a scientific experiment to study the frequency of fidgeting in a theatre seat. Do you want to contribute to the data?
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